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To me, Fox’s initiative looks more like pure business than an aching desire to create great work; the studio owns these films (or "properties", as I’m sure it refers to them) and is looking for ways to squeeze even more earning potential from them. This prospect of a long line of movie-derived stage musicals put me in enough of a sulk, but then came news that an Austrian production company has secured the rights to make a musical version of The Third Man, the post-war film noir set in Vienna.
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